Wednesday, June 28, 2017

In the end, it's all about the people

It struck me that what might be the largest difference between the AKI and the UT, is not the environment, the tools, the ideas, or even the building, but it is the people. How could it be anything else, I realized, that makes the difference so great. People are what gives a location an atmosphere, what gives a place a hart. 

The people at the AKI are open-minded, curious, strange even. They do not fret to be different, one might even say that they are afraid not to stand out. They are creative, push themselves to new projects and activities. I respect how they can continue to be creative -after one day at the AKI, I am creatively satisfied for a week-, and how they are capable of pushing the limits of materials and techniques, finding a way to tailor it to their needs, and how they can trigger ideas without using any words, just by using a combination of (predominantly) visual triggers. 
The people at the UT are structured, thought-through, and calm. They want to follow their interest, sometimes even passion, in a specific field. They hope to bring the knowledge of the world one step further by adding their structure and research. This way they contribute a -what to others can seem minuscule or irrelevant- bit of knowledge in a very specific field of knowledge, slowly digging up all that there is to know about the world. Slowly improving our life and health in the process. 
Both want to change the world, but in very different ways. where one aims to open ones eyes to the world, or merely contribute to the aesthetics, the other has the goal to improve the world by revealing new knowledge. 

Being at the AKI once a week was as a refreshing dive into a different world view. Where different ideas and ideals hold. I was surprised by the openness and curiosity of the people. I have been asked many times what I was doing, who I was, why I did what I did. This slowly gave me the confidence to talk about my work, my ideas, and eventually, about myself. By making something that people show interest in, you yourself also feel more interesting as a person. You are the person that triggered curiosity through your work. 
It was a disappointing realization. When I was in the lab that I worked, the birthplace of my work,  to take pictures of what I made, I noticed how little people were interested in what I had in my four cardboard boxes. I was ignored. This shocked me. Had I romanticized the curiosity of people? had I become too arrogant? Too assured of the attraction of my work? As I started taking pictures around the lab, I got some strange looks, and slowly questions started to come. But after a one-minute pitch of what it was that I was doing, interest declined and my conversation partner would return to his/her work. I think this was because what I did, did not contribute to what they thought was important in life. Why would you make art, when you can improve the world through knowledge? They might have a point, but I think this view gives art too little credit in its ability to change the world. 

Both types of people have their own advantages, giving me two different ways to regard the world. I am in the unique opportunity to cherry pick from both. I can look at the world with bright, curious, yet structured eyes. I know how to express myself as an artist(-ish) -I noted I even started to dress differently over the past half year-, but also I can fit in, in the world of structure and research. In the end I am partially both, I am both people, and in my head both have a voice that narrates my life. I try to listen, hoping neither will fall silent. 



Sunday, June 25, 2017

Lab work III

And lastly, I wanted to show the cells in a way that only I could show them, by putting them under the microscope. In the following pictures you can see a spot where transparent glazing and red glazing meet.

PE lazer

Normal light

Dapi -- Used for nucleus detection (blue)

PE -- Used for fluorescence staining (yellow)


PE -- Used for fluorescence staining (yellow)

Craquelure glazing with normal light



Lab work II

Secondly, I wanted to focus on the connection in detail, focusing on the misfit, instead of the fit.







Lab work I

As a way to finish this search, I photographed my work in the research lab that served as my inspiration. I got a little enthusiastic, but hope that you will enjoy all the pictures. 
In this first series, I tried to incorporate my work in the normal environment. I tried not to make it stand out, but rather fit in, into the world in which it belongs. 







Friday, June 16, 2017

Evolution



On bad omens and an onion-shaped vase

The plan was to work with 'opglazuur' this week, which is technique where you print an image on a special paper using a silkscreen press, and then stick this image onto something that has already been glazed. Once it is baked, the print will merge with the glaze of the object, and stick to it. For this purpose I had bought some plates and bowls, to print microscopic images of cells on. As you might have already guessed, this did not happen, because the plates had broken straight through the middle during pre-baking (which is done to clear the glaze of impurities). This would be the first of some bad omens that would convince me not to try this technique. 
So my new plan, which I did execute, was to glaze my bowls from last week, and try some pottery again. With the glazing I tried to recreate the appalling (appalling: causing shock or dismay; horrific) combinations of red and orange, and with the pottery I set myself the goal to go a bit bigger and thinner, since my earlier products had been no larger than minuscule, while nearly indestructible. 



The bowls again had this droopy effect that I am growing quite fond of, and none had cracked during the first baking. However they look much more blue then the first load, before they were glazed. I thought I had added the same or less coloring then the first time, but I am now starting to doubt my memory.. 




So I made two vases, still not very big, but a lot more refined than the first that I made. I tried to maintain symmetry more, and make the walls thinner. I am starting to get requests from friends, hinting that a vase might be a nice birthday present, so apparently I am doing something right. I also made a very heavy cup with a small surprise 'fountain' on the inside. It made me happy so I left it like that. 

Monday, June 12, 2017

Barst, burst, broken


well, that is inconvenient indeed.. All my work from last week, all the glazed bowls, had cracked and in some cases even broken completely in the oven.. This probably happened because the clay, which is already weakened by the colour pigments mixed in, could not withstand the stress from the craquelure glazing.. Since all of my montages contained at least one bowl with this glazing, none had survived... But setbacks mean you get to try again!



Overall I really like how the glazing turned out, especially the combination of orange, white, and red is very insetting. Also the way in which the red can 'leak' into the bowls creates gruesome effects, something to keep in mind when glazing this next load of bowls. 
My 2D work luckily had survived the whole process, so I had at least those beauties to show for my effort. 





And then it was time to start again. 


In the end, it's all about the people

It struck me that what might be the largest difference between the AKI and the UT, is not the environment, the tools, the ideas, or even th...